Premiere Pro, Premiere Rush, and Audition builds with native support for new Apple M1 chipsets are available in public Beta today. The new Apple M1 platform offers improved performance and greater energy efficiency. Transitioning the Creative Cloud applications to the new platform will allow users to take advantage of the new technology.
What's New in Premiere Pro 12.0? What's New in Premiere Pro CC 2015.4? What's New in Premiere Pro CC 2014? Getting Started; PrGPUFilter Function Table; Function Descriptions; Return Codes; Structure Descriptions; PrGPU SDK Macros; Suites. To make it easier to configure the user interface, Premiere Pro offers workspaces. Workspaces quickly configure the various panels and tools on-screen in ways that are helpful for particular activities, such as editing, special effects work, or audio mixing.
Type Tool Adobe Premiere
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Premiere Pro Beta for Apple M1
The M1-native Premiere Pro Beta includes the core editing functions and support for the most widely used codecs: H.264, HEVC, and ProRes. Since Premiere Pro is built on a large codebase with support for a wide range of media and functions, we are taking a phased approach as we build out native Apple M1 support. This allows us to validate performance for specific parts of the application before we add new components.
This graph compares export times for the current high-end 16' Intel MacBook Pro, the current 13' Intel MacBook Pro, and the new 13' Apple M1 MacBook Pro. We will continue to optimize native M1 performance during the public Beta.
Adobe Sensei features, like Scene Edit Detection, will see performance boosts, thanks to dedicated machine learning support in the Apple M1 chipset. In this case, speed gains are also reflected in the current release version of Premiere Pro using Rosetta 2 emulation mode.
Users should note that the Premiere Pro Beta for Apple M1 incorporates the latest builds of our new captions workflow, which requires a project file format upgrade. We recommend creating a copy of current projects for Beta testing to avoid compatibility issues for any ongoing production work.
Limitations for the initial Premiere Pro Beta on Apple M1 hardware include third party integrations, such as Transmit reference monitoring hardware, plugins, extension panels, and control surfaces
Premiere Rush Beta for Apple M1
The M1-native Premiere Rush Beta includes core editing functions, support for H.264 video, the ability to add titles and audio from Rush's built-in libraries, and will allow users the ability to create projects and export locally on Apple M1 devices. Additional format support, syncing projects between devices, and exporting to social platforms will be introduced in future Beta builds.
Audition Beta for Apple M1
The Audition Beta with native Apple M1 support already shows performance gains for many audio effects. Other improvements include real-time performance for the Spectral Frequency Editor. The Audition Beta for Apple M1 hardware incorporates most of the existing audio editing features but does not yet have support for video playback, extension panels, or some third-party formats and integrations.
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Spectral Frequency real-time rendering at 16K FFT in Audition is shown above. The Spectral Frequency Editor provides a visual representation of audio and Photoshop-style tools for precision editing.
Running current versions in Rosetta 2 emulation mode
While we complete the Apple M1-native versions of our applications, users can install and use the existing release versions using Rosetta 2 emulation with Apple M1 devices with macOS 11.0 (Big Sur). An issue with Roto Brush 2 in After Effects in Rosetta 2 will be addressed in an upcoming release. Please note that third party integrations have not been tested in Rosetta 2 emulation mode.
Native Apple M1 support coming in 2021
Release versions of Premiere Pro, Audition, and Premiere Rush with full native support for Apple M1 systems on macOS will be available in the first half of 2021.
Work on native Apple M1 support for After Effects and Character Animator Apple M1 will begin in 2021.
Test the Beta builds on Apple M1 devices
The Beta builds for Premiere Pro, Premiere Rush, and Audition with native Apple M1 support can be installed directly from the Creative Cloud Desktop application. Users with Apple M1 devices are invited to test the new Betas today and share their feedback with our product teams.
Avid Pro Tools and Adobe Audition, two of the well-known DAW (Digital Audio Workstation) software in the music industry, their main difference seems to be one looks more ‘industrial standard', and one sounds typically as the Adobe Premiere's auxiliary audio modification program (e.g. Audio effects & noise remover). As I had a 1 year experience of using Audition and a 2 month one for Pro Tools that I just learnt it from my Sound Design elective, which would I prefer for our final project's editing?
Loading Screen
cr. Pro Tools Expert
Let start with the very beginning, their loading screen. Pro Tools had only applied 3 different colors, black as the background, with white and purple as the logo, text and loading bar, pretty dull and non-attractive, right? I guess its targeting user who doesn't really care about the appearance of a software (not me definitely), giving us the figure of a professional technician; In contrast, Audition had used dark green and tiffany green, a more ‘vitality' kind of color series as the theme of their loading screen, with a sound related picture (a pretty Gold one) to corporate with, the habit of Adobe when they had entered the CC era, seems to mainly target designers or some color-sensitive users.
Adobe Premiere Pro Tools And Functions Geeks
Interface
cr. 9to5mac
cr. keyword-suggestions
Next would be the interface. As what we have seen, Pro Tools had applied a light grey color tone to it, clearly shown the duration control and editing tools, with you could assign distinct colors to different tracks, giving us a colorful image which you would never be confused with what those tracks for. The Audition, using a similar interface as Premiere and After Effects were, a dark grey color tone with deep track colors, with an extremely simple and tiny editing toolbar, which presenting an impression of cool and professional.
Track Types
cr. homestudiocorner (Pro Tools 8)
The final match, and the most important one, their Functions. Let's use track types as an example. In Pro Tools 12, there're 7 different types of track in total:
Audio
MIDI
Instrument
AUX (Auxiliary)
VCA (stand for Voltage Control Amplifiers, a full name that hard to understand)
Master
Video (doesn't provide in Pro Tools First, the free version)
That made Pro Tools became a relatively complicated and advanced software in the world of audio editing, with different icons inserted in the mixer window, that could let us play virtual instruments with, send the same plug-in (with a cool name ‘AudioSuite') into different tracks, control a group of track's volume, etc. Regarding to Audition, there're 4 different clip types only: Audio, Bus (same as AUX), Master and the one for showing Video, which sounds having less functions than the other one. However, their variety of plugins doesn't have a large different, although Pro Tools had provided the more professional's to their users.
Besides the price that we haven't discussed, which isn't quite meaningful (Pro tools cost $299 in perpetual and Adobe Suite cost $16.99 monthly for students), I guess the Audition would be well enough for our PB4, as Pro Tools would be harder to be proficient with from the very basic, base on my personal experience, and plugins and effects in Audition would be satisfactory for a simple sound work, unless you're aiming for being more skillful in the audio field?
